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News Archives - American Art | 2014

  • Self Taught Genius: Treasures from the American Folk Art Museum begins its national tour

    Self-Taught Genius: Treasures from the American Folk Art Museum will feature more than 100 works of art that celebrate the singular power of folk art and art by the self-taught. Whether whirligigs or quilts, drawings or paintings, carvings or constructions, the objects reveal highly personal narratives that reflect the challenges and triumphs of an emerging nation and its evolving national identity.

    The planned tour itinerary will include exhibitions at the Figge Art Museum in Davenport, Iowa, the Mingei Art Museum in San Diego, the Amon Carter Museum of American Art in Forth Worth, the New Orleans Museum of Art, the Saint Louis Art Museum, and the Tampa Museum of Art.

  • Louvre Database of American Art Available

    The Louvre Museum has developed the La Fayette Database of American Art, presenting a complete list and digitized reproductions of pre-1940 American artworks that are currently housed in French national collections. This fully bilingual online catalogue offers extensive information on more than 1,700 works, as well as scholarly surveys of the history of American artists in France. As the Louvre website states, the database “is intended to make the history of Franco-American artistic rapports better known to the American public, while reminding French audiences of the diversity of their national patrimony.” American Friends of the Louvre received two grants from the Luce Foundation, in 2006 and 2009, to support this project.

  • Three Luce-funded exhibitions receive national attention

    The Hyde Collection in Glens Falls, NY, drew record crowds this summer with a 60-piece exhibition of works that painter Georgia O’Keeffe completed over the course of many summers in Lake George, a mere ten miles away from the museum. In a full-page review of the exhibition, The New York Times reporter Jesse McKinley examined how many of O’Keeffe’s most celebrated artistic traits first evolved during her summers in the Adirondacks. The exhibit, “Modern Nature: Georgia O’Keeffe and Lake George,” is now at the O’Keeffe Museum in Santa Fe, and will move on in January to the de Young Museum in San Francisco.

    The New York Times also covered “Women, Art and Social Change: The Newcomb Pottery Enterprise,” a traveling exhibition from the Newcomb Art Gallery at Tulane University, which features over 250 decorative arts objects produced between 1895 and 1940 by female faculty and artists at Newcomb Art School. Though part of an academic institution, the Newcomb enterprise was a quasi-commercial program that trained Southern women as both artists and marketers of their work. Their pottery and other artworks were celebrated by noted turn-of-the-century collectors and remain sought-after today.

    On view in New York City through January 12th, The New Museum has devoted all five of its floors to Chris Burden’s first American solo museum exhibition since 1988. The works on display range from photographs and documentation of his early performance art from the 1970s, to massive sculptures that incorporate movement and ready-made materials, to political meditations on the destructive powers of war. The New York Times reporter Roberta Smith praised the exhibition, which is titled “Extreme Measures,” as a “superb survey.”

  • News Archives - American Art | 2012

  • In Memoriam: Dr. William Innes Homer

  • The Directors and staff of the Henry Luce Foundation mourn the passing of Dr. William Innes Homer, longtime advisor to the American Art Program.

    In his work at the University of Delaware, Dr. Homer was a stalwart champion of the study of American art as a discrete discipline. For the Luce Foundation, he was one of the original advisors to the American Art Program when it was established in 1982. He contributed his expertise, particularly to the annual review of exhibition proposals, for 30 years and we are grateful for his dedicated service.

    We extend our condolences to Dr. Homer’s wife, Christine, and their family. He will be missed by us and the entire American art community.

    News Archives - American Art | 2011

      

  • Rockwell Painting Displayed at White House

  • In July 2011, the Luce Foundation’s American Art program assisted the Norman Rockwell Museum with the lending of Rockwell’s painting “The Problem We All Live With” to the White House, at the special request of President Obama. The painting remained there through October in commemoration of the 50th anniversary of Ruby Bridges’ historic walk integrating an all-white public school in New Orleans.

    (Official White House Photo by Pete Souza; White House video here.)


    News Archives - American Art | 2004

  • Luce Foundation crosses $100 million mark in grants to further the study and public display of American Art

  • More than 300 Museums, Universities and Service Organizations Received Funding for Exhibitions, Publications, Collection Cataloguing and Scholarship

    New York, NY, May 4, 2004—The Henry Luce Foundation today announced that with the completion of its 2003 grant cycle it has surpassed the $100,000,000 threshold in funding provided exclusively for the study and presentation of American art. Since the inception of the American Art Program in 1982, the Luce Foundation has supported approximately 200 exhibitions, over 190 exhibition catalogues, more than 250 dissertation fellowships, over 100 projects to catalogue museums' permanent collections, and the establishment of four major, publicly accessible study centers. These Luce Foundation-funded initiatives have helped foster interest in American art in virtually every part of the nation, at close to 200 museums and 50 colleges and universities in 155 cities in 47 states and the District of Columbia.

    "This is an important moment for the Foundation and its partners to assess what a sustained program strategically focused on a specific area of human endeavor can achieve," said Michael Gilligan, President of the Luce Foundation. "We believe that the success of this program can serve as a model for other foundations and individuals who would like to make a lasting impact on a particular field and on our nation."

    The Luce Foundation's sustained, multifaceted program has transformed the study, appreciation, and accessibility of American art in this country. John Davis, an American art scholar and chair of the Art Department at Smith College who recently completed a study of the growth of American art as a field, stated, "The American Art Program of the Henry Luce Foundation has played a pivotal role in changing the way in which American art is viewed in this country. It has greatly multiplied the opportunities for the study and teaching of American art in colleges and universities, and through its museum programs it has brought the full range of American art and material culture before a significantly expanded audience. In a relatively brief period of time, the Program has catalyzed an unparalleled transformation of the field of American art history."

    The American Art Program is unprecedented in its focus, depth, and impact. It was specifically designed to encourage the study of American art, make the field robust and raise the profile of American art in the U.S. and abroad. Divided into three areas, the program provides funding for the development and touring of exhibitions; responsive grants encompassing publications, archival, collections management, and other scholarly projects; and dissertation fellowships and research awards. Specifically, the program has served to:

    • build scholarly resources and capacity at more than 50 colleges and universities, including doctoral dissertation fellowships, professional development, visiting scholars, conferences and symposia, and expanded curricula, among other areas at schools ranging from the state universities of Iowa, Texas and Washington to Stanford, Columbia and M.I.T.
    • enhance the study and presentation of American art at museums throughout the country, encompassing permanent installations, collection cataloguing and publication, research, and scholarly symposia and public programs at museums from the Maier Museum of Art at Randolph-Macon Woman's College in Lynchburg, Virginia to the Utah Museum of Fine Arts to the National Gallery of Art in Washington, D.C.
    • advance public accessibility and appreciation through the funding of traveling exhibitions, which brought nearly 200 exhibitions to approximately 450 museums, which were seen by millions of people
    • build unprecedented resource centers for American art at four major museums-The Metropolitan Museum of Art, The New-York Historical Society, the Brooklyn Museum of Art and the Smithsonian American Art Museum (opening in 2006)-that make outstanding collections of American art easily accessible to the public and scholars

    "By supporting all parts of the equation-scholarship, professional training, programs, exhibitions, publications, resources, and audience development- the Luce Foundation has enabled the field to fuel its own ongoing growth and advancement," noted Ellen Holtzman, Program Director for the Arts. "The key has been for the Foundation to be a consistent and sensitive partner in building the field by working hand-in-hand with both individuals and institutions."

    Encouraged by Henry Luce III, the Foundation's chairman emeritus, the American Art program was conceived by the Foundation following a study it conducted in 1981 that discovered that there were no grant programs at American foundations and little funding dedicated to the advancement of American art. While there were many foundation programs in the U.S. and abroad supporting European art and other areas of art historical study, research and presentation, American art was still struggling to find its footing in both the museum and scholarly communities. In addition to filling a much needed void, the Luce Foundation leadership felt that the American Art program was consistent with the interests of its founder, Henry R. Luce, and his vision of "The American Century."

    In its initial research in the early 1980s, the Foundation noted only nine universities with strong commitments to American art. With the help of Luce Foundation grants, by 1995 that number had more than tripled to thirty. In a similar vein, twenty-two years ago many museums had not yet catalogued or published their American art collections. Today, Luce Foundation grants have helped fund the publication of multi-volume sets of catalogues by more than 100 institutions.

    "This transformative support for American art is a tribute to the vision of Henry Luce III and thoughtful implementation by former president Robert E. Armstrong and current program director Ellen Holtzman," said Michael Gilligan, President.

    Despite tremendous gains in funding and scholarship, further research in the early 1990s discovered that important American art collections were still unrecognized and under-funded. As a result, the American Collections Enhancement (ACE) initiative was established in 1996 to seek out institutions with significant American art collections and fund projects explicitly intended to raise their visibility. During a five-year period ending in December 2000, the Luce Foundation distributed nearly $8 million for projects at 57 museums in 40 states, more than half of which had never before received Luce Foundation grants.

    During its more than two decades of grant making, the Luce Foundation has awarded upwards of 250 dissertation fellowships to top scholars in the field of American art. Foundation grant recipients have gone on to become successful authorities in American art and hold prominent positions at top museums and universities, including as Executive Director of the New York City Art Commission, Director of the Hood Museum of Art at Dartmouth College, Director of Mount Holyoke College Art Museum, and Chair of the Art History Department at Yale University. Others have become top American art curators at institutions like the Museum of Fine Arts Boston, the Nelson-Atkins Museum of Art in Kansas City, and the Los Angeles County Museum of Art, among others.

    The Henry Luce Foundation
    The Henry Luce Foundation was established in 1936 by the late Henry R. Luce, cofounder and editor-in-chief of Time Inc. With assets of approximately $750 million, the Luce Foundation also supports higher education, Asian affairs, theology, women in science and engineering, and public policy and the environment. www.hluce.org



    News Archives - American Art | 2001

  • Crossroads: Art and Religion

  • The Henry Luce Foundation announces the publication of Crossroads: Art and Religion in American Life, in collaboration with the Center for Arts and Culture in Washington, D.C. and published by The New Press. This book of essays is the result of a seven-year, multi-faceted project of research, scholarship, convenings, and community initiatives and endeavors to answer two fundamental questions: what links the arts and religion in American life, and what contributes to their separation?

    Motivated by the Foundation's programmatic interests in both the arts and theology, and by instances of conflict between these two significant realms of American life as reported by scholars and by the press in recent years, the Luce Foundation initiated the research project Art and Religion in American Life. Activities date back to a 1994 conference that was intended to move beyond slogans and rhetoric and get at the root causes why, given their many similarities, art and religion are often perceived as adversaries, and why religious language is used to justify attacks on the arts.

    Since that time, the Foundation has supported a three-part social science research agenda which is reveals much about Americans' experiences with arts and religion, and the perceived relationships between them. Briefly, the research projects are: 1) the insertion of questions on this subject in the 1998 General Social Survey and in the National Congregations Study, both of which report on the prevailing attitudes of contemporary Americans, conducted by Harvard professor Peter Marsden; 2) an "Elite Interviews Project" consisting of in-depth interviews with art and religious leaders nationwide, conducted by Princeton professor Robert Wuthnow; 3) case studies of community confrontations between religious and arts values in one major city, conducted by Princeton professor Paul DiMaggio.

    The Foundation gathered additional information from several meetings held in 1998 and 1999. The first session included scholars and foundation representatives, and another convened humanities scholars to broaden the discussion. The role that the press plays in the ongoing relationship between the arts and religious communities, an important missing link, was explored in a meeting of journalists. And an artists' forum was convened in Spring 2000 as the final component of the Foundation's research. Building on the research, the Foundation is also working with leaders in the Twin Cities to develop a national model for community interaction.

    Crossroads features a preface by Garry Wills and essays by Neil Harris, Robert Wuthnow, Peter Marsden, Paul DiMaggio, David Halle, Sally Promey, and Amei Wallach. The book is edited by Alberta Arthurs and Glenn Wallach and is available through The New Press (800-233-4830).

    A monograph on this subject is also available from Americans for the Arts (800-321-4510).



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